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          <TitleStatement>Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</TitleStatement>
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        <Text language="eng" textformat="05">In contemporary Arabic fiction from Syria, Lebanon, and Jordan as well as in Palestinian exile novels, Palestinians are predominantly depicted as and judged in terms of being representatives of the Palestinian collective. They frequently appear on the scene as guerilla fighters, a role that seems to inevitably lead to an ideologically-loaded image and stereotypical portrayal. Although the public in the Arab world is acutely aware of and sensitive to the Palestine problem, the perception of Palestinians evident in novels is for the most part fixated on the political-military setting. The real-life circumstances – whether the refugees’ sheer struggle to survive, the social and political situation of Palestinians in occupied territories or in exile, or Arab-Palestinian relations − play a subordinate role. The perspective taken by the novelist often draws on one-sided and rigid notions or is constricted to the projection of ideals: the fedayeen are depicted as the antithesis to Palestinian exile and the prototype of a “new Arab man”.&lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Die Arabistin Brigit Embaló analysiert in ihrer Untersuchung das Bild der Palästinenser im zeitgenössischen arabischen Roman. Dabei zeigt sich, dass die literarische Wahrnehmung der Palästinenser trotz der hohen öffentlichen Sensibilisierung der arabischen Welt für das palästinensische Problem meist auf den politisch-militärischen Rahmen fixiert bleibt. Als Wunschbilder der Romanciers und auf verfestigte Vorstellungen verengt, erschienen die Palästinenser häufig einseitig und stereotyp einem militärischen Konteyt als Kämpfer, ohne dass die reale Lebenswelt - sei es der Überlebenskampf der Flüchtlinge, die gesellschaftliche und politische Situation der Palästinenser im besetzten Land und im Exil oder das arabisch-palästinensische Verhältnis - thematisiert würde. Die palästinensischen Kämpfer verkörpern somit eine Antithese zum palästinensischen Exil und treten als Prototyp eines „neuen arabischen Menschen“ auf.</Text>
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        <Text language="eng" textformat="05">Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</Text>
        <Text language="ger" textformat="05">Diese Reihe stellt innovative Arbeiten zu den nahöstlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschließlich als ein Forum für Orientwissenschaftler, sondern möchte auch Komparatisten, Literaturwissenschaftlern und einer interessierten Öffentlichkeit Einblicke in das breite Spektrum gegenwärtig produzierter und rezipierter Literatur des Nahen Ostens bieten. &lt;br/&gt;Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen übergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplinären Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell geprägt sind, dass sie Lektüren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem „lokalen historischen Kontext“ ihren Reiz als Ausdruck einer regional geprägten Ästhetik entfalten können. Die Reihe versucht so, einer neuen Sensibilität für mythische, archetypische, aber auch historische Subtexte in der nahöstlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilität sichtbar zu machen.</Text>
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