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          <TitleStatement>Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</TitleStatement>
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        <Text language="eng" textformat="05">͑Ulayya bint al-Mahdī (160−210/ 777−825), the younger sister of the Caliph Hārūn al-Rashīd, and  ͑Arīb (181−277/ 797−890), a first enslaved, later manumitted woman, are exceptional figures of the musical and poetic arts performed at the court of the early Abbasids. This study draws substantially on their biographical entries in the Kitāb al-Aghānī by Abū l-Faraj al-I“fahānī, one of the most important 10th-century sources for cultural history. Informed by postcolonial feminism and critical literary theory, the author investigates why and how women entered the androcentric historiographical writings of the Islamic Middle Ages and what happened to their life stories within the framework of powerful textual presentations. Localizing the close ties between gender, social status, and historiographical re-presentation, the author is able to identify Muslim women from this early period as historical agents and, moreover, show that their artistic contributions and specific knowledge are not only an integral part of Islamic history but essential for contemporary feminist discussions.&lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Ulayya bint al-Mahdi (160-210/777-825), jüngere Schwester des Kalifen Harun ar-Raschid und Arib (181-277/797-890), eine zunächst versklavte, später freigelassene Frau, waren bedeutende Vertreterinnen der Musik- und Dichtkunst am Hof der frühen Abbasiden. Ihre biographischen Erwähnungen im Kitab al-Agani von Abu l-Farag al-Isfahani – eine der wichigsten kulturhistorischen Quellen des zehnten Jahrhunderts – bilden die Grundlage für die vorliegenden Studie. In einer auf postkolonialen feministischen und literaturkritischen Ansätzen basierenden Lektüre untersucht die Autorin, warum und wie Frauen Eingang in die androzentrische Geschichtsschreibung des islamischen Mittelalters fanden und was mit ihren Lebensgeschichten in den Texten einer machtvollen Darstellung geschah. Sie lokalisiert die engen Verbindungen von Gender, sozialem Status und historiographischer Re-Präsentation, um muslimische Frauen früher Epochen als historische Akteurinnen anzuerkennen, deren bislang kaum bekannten Beiträge und spezifisches Wissen nicht nur ein integraler Bestandteil der islamischen Geschichte, sondern grundlegend für feministische Diskussionen der Gegenwart sind.</Text>
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        <Text language="eng" textformat="05">Ulayya bint al-Mahdi (160-210/777-825), the younger sister of the Caliph Harun ar-Rashid and Arib (181-277/797-890), a first enslaved, later manumitted woman are exceptional representatives of the musical and poetic arts at the court of the early Abbasids. Their biographical entries in the Kitab al-Agani by Abu l-Farag al-Isfahani - one of the most important tenth century sources for cultural history - are a substantial foundation for the study at hand. Based upon approaches of postcolonial feminism and critical literary theory the author investigates why and how women entered the androcentric historiographical writings of the Islamic Middle Ages and what happened to their life-stories within the frame of powerful textual presentations. Lauré al-Samarai localizes the close ties between gender, social status and historiographical re-presentation in order to acknowledge Muslim women of early periods as historical agents. Their hitherto almost unknown contributions and specific knowledge are not only an integral part of Islamic history but essential for contemporary feminist discussions.</Text>
        <Text language="ger" textformat="05">Ulayya bint al-Mahdi (160 bis 210/777 bis 825), jüngere Schwester des Kalifen Harun ar-Raschid und Arib (181 bis 277/797 bis 890), eine zunächst versklavte, später freigelassene Frau, waren bedeutende Vertreterinnen der Musik- und Dichtkunst am Hof der frühen Abbasiden. Ihre biographischen Erwähnungen im Kitab al-Agani von Abu l-Farag al-Isfahani - eine der wichigsten kulturhistorischen Quellen des zehnten Jahrhunderts - bilden die Grundlage für die vorliegenden Studie. In einer auf postkolonialen feministischen und literaturkritischen Ansätzen basierenden Lektüre untersucht die Autorin, warum und wie Frauen Eingang in die androzentrische Geschichtsschreibung des islamischen Mittelalters fanden und was mit ihren Lebensgeschichten in den Texten einer machtvollen Darstellung geschah. Sie lokalisiert die engen Verbindungen von Gender, sozialem Status und historiographischer Re-Präsentation, um muslimische Frauen früher Epochen als historische Akteurinnen anzuerkennen, deren bislang kaum bekannten Beiträge und spezifisches Wissen nicht nur ein integraler Bestandteil der islamischen Geschichte, sondern grundlegend für feministische Diskussionen der Gegenwart sind.</Text>
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        <Text language="eng" textformat="05">Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</Text>
        <Text language="ger" textformat="05">Diese Reihe stellt innovative Arbeiten zu den nahöstlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschließlich als ein Forum für Orientwissenschaftler, sondern möchte auch Komparatisten, Literaturwissenschaftlern und einer interessierten Öffentlichkeit Einblicke in das breite Spektrum gegenwärtig produzierter und rezipierter Literatur des Nahen Ostens bieten. &lt;br/&gt;Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen übergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplinären Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell geprägt sind, dass sie Lektüren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem „lokalen historischen Kontext“ ihren Reiz als Ausdruck einer regional geprägten Ästhetik entfalten können. Die Reihe versucht so, einer neuen Sensibilität für mythische, archetypische, aber auch historische Subtexte in der nahöstlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilität sichtbar zu machen.</Text>
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