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          <TitleStatement>Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</TitleStatement>
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        <Text language="eng" textformat="05">Elias Khoury (b. 1948) is one of the most outstanding figures in Lebanon’s cultural, intellectual and literary life today. The study focuses on the theme of memory in Khoury’s novels. In the light of the Lebanese civil war of 1975-1990 memory has turned into a disputed and often neglected find in Lebanon. As the study shows, not only do Khoury’s novels hold on to the memory of the civil war and transmit it at a time when memory itself is threatened, memory in its turn effects the novels’ narrative structure. The study takes inspriration from narratology, especially Gérard Genette, and from Walter Benjamin’s writings on memory and history.&lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Die Studie macht mit dem Romanwerk des libanesischen Autors Ilyas Huri (geb. 1948) bekannt, der heute einer der prominentesten Vertreter des kulturellen, intellektuellen und literarischen Lebens des Libanon ist. Als Romancier ist Huri international bekannt, viele seiner Romane wurden ins Englische, Französische und Deutsche übersetzt. Seine Aktivitäten sind jedoch äußerst vielseitig. Er ist auch Autor von Kurzgeschichten, Literaturkritik, sozio-politischen Studien und zahlreichen journalistischen Arbeiten. Seit 1992 ist er der Herausgeber der wöchentlichen Kulturbeilage der größten libanesischen Tageszeitung an-Nahar. In letzter Zeit ist Huri auch im Bereich des Theaters und der audio-visuellen Künste tätig geworden.&lt;br/&gt;Im Zentrum des Interesses steht die Erinnerung in Huris Romanen. Angesichts des libanesischen Bürgerkriegs von 1975-1990, der das Leben und die Orientierungspunkte zahlreicher Menschen zerstört hat, kommt der Erinnerung im Libanon besondere Bedeutung zu. Sie ist zum vielfach umstrittenen und häufig verdrängten Fund geworden. Wie die Studie darlegt, bewahren und transmittieren Huris Romane aber nicht nur Erinnerung in einer Zeit, in der auch sie vom Krieg zerstört wird, vielmehr wirkt sich Erinnerung ihrerseits auf die Romane, genauer auf ihre narrative Struktur, aus. Methodologisch basiert die Studie auf Untersuchungen zur Narratologie, im besonderen auf Gérard Genettes Discours du récit. Essai de méthode. Ferner werden Vergleiche zur Erinnerung in Walter Benjamins Schriften zur Geschichte – der jüngsten Vergangenheit – gezogen.</Text>
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        <Text language="eng" textformat="05">Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</Text>
        <Text language="ger" textformat="05">Diese Reihe stellt innovative Arbeiten zu den nahöstlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschließlich als ein Forum für Orientwissenschaftler, sondern möchte auch Komparatisten, Literaturwissenschaftlern und einer interessierten Öffentlichkeit Einblicke in das breite Spektrum gegenwärtig produzierter und rezipierter Literatur des Nahen Ostens bieten. &lt;br/&gt;Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen übergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplinären Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell geprägt sind, dass sie Lektüren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem „lokalen historischen Kontext“ ihren Reiz als Ausdruck einer regional geprägten Ästhetik entfalten können. Die Reihe versucht so, einer neuen Sensibilität für mythische, archetypische, aber auch historische Subtexte in der nahöstlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilität sichtbar zu machen.</Text>
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