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          <TitleStatement>Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</TitleStatement>
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        <SubjectHeadingText>Arabisch; Arabistik; Erinnerungen; Erzählweisen in der modernen arabischen Literatur; Figurenanalyse; Geschichte; Groteske; Identität in der modernen arabischen Literatur und Gesellschaft; Intertextualität; Karikatur in aussereuropäischen Literaturen; klassische arabische Literatur; kollektives Gedächtnis; Kritik an Traditionsdiskursen in der arabischen Welt; Literaturwissenschaft; moderne arabische Literatur; moderne syrische Literatur; ‚mythische' Figuren in der arabischen Literatur; Narratologie; Neuere Geschichte; Orientalische Sprachen; Satire; Sprachwissenschaft; Syrien; Syrisch; Tāmir, Zakarīyā; Traditionsbeziehungen in der modernen arabischen Literatur; Traditionsdiskurse; Volksliteratur</SubjectHeadingText>
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        <Text language="eng" textformat="05">Zakariyyā Tāmir (b. 1931) is generally considered to be one of the most innovative authors in contemporary Arabic literature. One characteristic of his short stories is how they take up and retell the historical and literary traditions in a variety of ways: in his texts Tāmir works − and plays − with subjects, literary models, conventions, lore, and popular folk fictions. It is this work with and on tradition which this study explores in narratological and intertextual analyses. The study shows how Tāmir narrates tradition and how he − through this very same narrative act − forges a new concept of tradition.&lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Zakariya Tamir gilt als einer der innovativsten Autoren der zeitgenössischen arabischen Literatur. Ein Charakteristikum seiner Erzählungen ist, dass sie in mannigfacher Weise eigene historische und literarische Traditionen aufgreifen und neu erzählen: Tamir arbeitet - und spielt - in seinen Texten mit Stoffen, literarischen Modellen, mit Konventionen, Überlieferungen und Überlieferungsfiktionen. Es ist dieses Arbeiten mit Tradition, das diese Studie durch eine narratologische und intertextuelle Analyse untersucht. Sie zeigt, wie Tamir Tradition erzählt und wie er damit, durch den narrativen Akt, den Traditionsbegriff neu stiftet.</Text>
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        <Text language="ger" textformat="05">Das Werk Zakariya Tamirs gilt als eines der innovativsten der zeitgenössischen arabischen Literatur. Eines der Charakteristika dieses Werkes ist, dass es in mannigfacher Weise die eigenen historischen und literarischen ‚Traditionen’ thematisiert und neu erzählt.&lt;br/&gt;Es ist dieses Erzählen von ‚Tradition’, das diese Arbeit anhand einer detaillierten narratologischen und intertextuellen Analyse von Erzählungen, in denen Figuren aus der Geschichte und der Literatur des Nahen Ostens auftreten, untersucht. &lt;br/&gt;Die Studie legt dar, wie das Erzählen dieser Figuren durch das ästhetische Prinzip des Grotesken organisiert ist, und dass das Groteske in diesen Erzählungen nicht nur einer satirischen Wirkungsabsicht dient, sondern auch zu einem Aufbrechen von konventionierten Narrationen und Bedeutungen und letztlich zu einer Transformation dieser Figuren führt.&lt;br/&gt;Mit dem Grotesken als einem ästhetischen Prinzip, das sowohl die erzählte Welt von Tamirs Texten, wie auch deren Erzähltechnik bestimmt, kann diese Studie ein umfassendes Modell zur Analyse eines der massgeblichen Erzählwerke der modernen arabischen Literatur formulieren.&lt;br/&gt;</Text>
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        <Text language="eng" textformat="05">Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern  and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar.</Text>
        <Text language="ger" textformat="05">Diese Reihe stellt innovative Arbeiten zu den nahöstlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschließlich als ein Forum für Orientwissenschaftler, sondern möchte auch Komparatisten, Literaturwissenschaftlern und einer interessierten Öffentlichkeit Einblicke in das breite Spektrum gegenwärtig produzierter und rezipierter Literatur des Nahen Ostens bieten. &lt;br/&gt;Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen übergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplinären Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell geprägt sind, dass sie Lektüren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem „lokalen historischen Kontext“ ihren Reiz als Ausdruck einer regional geprägten Ästhetik entfalten können. Die Reihe versucht so, einer neuen Sensibilität für mythische, archetypische, aber auch historische Subtexte in der nahöstlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilität sichtbar zu machen.</Text>
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