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        <SubjectHeadingText>Archäologie; Außereuropäische Archäologie; Bronzekunst; Geographie; Japan; Kunstgeschichte; Ostasien. Japan</SubjectHeadingText>
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        <Text language="eng" textformat="05">In a richly illustrated study, the authors trace Jimmu Tenno, Japan’s legendary first emperor, on bronze mirrors of his own time.The mirrors, while steeped in mythology, tell the emperor’s historic deeds almost exactly as do the eighth-century legends in the “Kojiki” and “Nihon shoki”, thereby revealing the founder of Japan and its ruling dynasty as a truly historical figure who lived - and worshipped the sun-goddess Amaterasu - in the third century of our era. These discoveries will have a major impact on the history of Japan.</Text>
        <Text language="ger" textformat="05">In einer reich illustrierten Arbeit untersuchen die Verfasser Darstellungen von Jimmu Tenno, Japans erstem Kaiser, auf Bronzespiegeln seiner Zeit. Sie zeigen, dass trotz mythologischer Einkleidung diese Spiegel Jimmu’s Taten nahezu genau so berichten wie die im „Kojiki“ und „Nihon shoki“ erhaltenen Legenden des 8. Jahrhunderts. Die Legenden stammen also aus Jimmus eigener Zeit, dem 3. Jahrhundert unserer Zeitrechnung. Jimmu, der Gründer Japans und seiner regierenden Dynastie war somit eine echte historische Persönlichkeit - eine Tatsache von entscheidender Bedeutung für die Geschichte des Landes.&lt;br/&gt;</Text>
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        <Text language="eng" textformat="05">Images of war dancers enliven the third-century Shuryo-mon kyo bronze mirror in the Tokyo National Museum.The dancers are celebrating the great “Eastern Campaign” of Jimmu Tenno, Japan’s legendary first emperor, according to the authors’ detailed analysis and archaeological documentation. The mirror’s images match, point by point, Jimmu’s victorious campaign as described in the eighth-century accounts of the Kojiki and Nihon shoki. It follows that, contrary to the prevailing view, the written legend too goes back to the actual historical events, and that Jimmu Tenno, the founder of Japan as a country and of its ruling dynasty, was a historical figure who lived in the later third century of our era. &lt;br/&gt;Other mirrors, paintings, and rock-carvings of the Kofun Period (250-600) also depict Jimmu’s deeds and myths: The Goroyama paintings record Jimmu’s victory at Tomi, the Takaida drawings his Yamato campaign, and the “Sea-Dance” mirrors reflect the help he got from the sea gods. Works of art of this period even portray Amaterasu as Jimmu’s main goddess, they show Jimmu’s journey as Hikohohodemi to the palace of the sea god, his woman-shaman Sarume, his Wani sea steed, and the monkey god Sarutahiko. Some hitherto missing parts of ancient Japanese myth are thereby recovered and for the first time early Shinto religion is richly illustrated. As for military history, these works of art offer wealth of information and illustration about Japanese warfare from a time long before that of the Samurai. &lt;br/&gt;Altogether, this study (120 pages, 47 figures in the text, 16 color plates) greatly contributes to our knowledge of Japanese history, art, and religion by revealing that the previously nebulous, legendary beginnings of Japan, are historical events, firmly set in time and place, and colorfully recorded by images from those times. &lt;br/&gt;Published by the German Archaeological Institute, this is a scholarly, archaeological work. It deliberately sidesteps the political issue, that nevertheless will arise: Jimmu Tenno is the idol of Japan’s rightwingers. His rule was a point of faith until 1945, when he was “massacred.”</Text>
        <Text language="ger" textformat="05">Ein Bronzespiegel des dritten Jahrhunderts unserer Zeitrechnung, jetzt im Nationalmuseum in Tokyo, stellt bewegte Kriegstänzer dar. In sorgfältiger Beschreibung und mit reicher archäologischer Dokumentation identifizieren die Autoren der vorliegenden Studie die Tänzer als das Heer Jimmus, des legendären ersten Kaisers von Japan. Die schriftlichen Aufzeichnungen über den Ursprung Japans, die im „Kojiki“ und „Nihon Shoki“, in Büchern des achten Jahrhunderts, überliefert sind, entsprechen Punkt für Punkt den Reliefs des Spiegels, so dass die schriftlich überlieferte Legende auch schon im dritten Jahrhundert entstanden sein muss und deswegen, im Gegensatz zur heute vorherrschenden Ansicht, der Wahrheit einigermaßen nahekommen dürfte. Jimmu, der Gründer des Landes Japan und seines regierenden Hauses, war demnach eine geschichtliche Persönlichkeit.&lt;br/&gt;Auch andere Spiegel, Malereien, und Felszeichnungen der Kofunzeit (250-600) stellen seine Taten und Mythen dar: die Goroyama-Gemälde zeigen seinen Sieg bei Tomi, die Takaida Felszeichnungen seinen Yamato-Feldzug, und die „Seetanz“-Spiegel die Hilfe, die ihm die Meeresgötter gewährten. Diese und andere Kunstwerke berichten ferner davon, dass Amaterasu seine Hauptgöttin war, beschreiben seine Reise als Hikohohodemi zum Palast des Meresgottes, und bilden sein Wani-Seereittier, seine Schamanin Sarume, und den Affengott Sarutahiko ab, womit der frühen Shintoreligion ein reicher Bildschatz zuwächst.&lt;br/&gt;Der Band (120 Seiten, 47 Textabbildungen, 16 Farbtafeln) leistet einen gewichtigen Beitrag zur japanischen Geschichte, Kunst, und Religion, indem er den bisher nebelhaften Ursprung Japans als ein zeitlich und räumlich festgelegtes historisches Ereignis aufzeigt und mit zahlreichen Bildern aus der Zeit der Ereignisse veranschaulicht. Ferner enthält er eingehende Berichte und Bilder japanischer Kriegführung aus einer viel früheren Zeit als der der Samurai.&lt;br/&gt;Als wissenschaftliches, archäologisches Werk hält sich diese Studie mit Absicht von den politischen Folgen seiner Entdeckung zurück. Die werden allerdings kaum auf sich warten lassen, denn Kaiser Jimmu ist ein Idol der japanischen Rechten. Bis 1945 durften weder seine Existenz noch seine Taten bezweifelt werden, dann wurde er „hingemordet“. Die Entdeckung und der archäologische Beweis seiner einstigen Herrschaft wird demnach nicht nur unter Geschichtswissenschaftlern Wellen schlagen und zu einer Neueinschätzung der Anfänge Japans führen.&lt;br/&gt;</Text>
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        <Text language="eng" textformat="05">Michael P. Speidel&lt;br/&gt;born 1937, received his PhD in ancient history at the University of Freiburg/Germany. Since 1968 he teaches ancient history at the University of Hawaii. A Corresponding Member of the German Archaeological Institute with more than a dozen books to his credit, he researches warrior elites of archaic societies.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Tomoko Fukushima &lt;br/&gt;received her Bachelor’s degree in Japanese literature at Showa Women’s University, Tokyo, and her Master’s degree in ancient history at the University of Hawaii. She currently works toward her PhD in ancient history at the University of Hawaii.</Text>
        <Text language="ger" textformat="05">Michael P. Speidel&lt;br/&gt;Jahrgang 1937, promovierte 1962 in alter Geschichte in Freiburg i.Br. und lehrt dieses Fach seit 1968 an der Universität Hawaii. Korrespondierendes Mitglied des Deutschen Archäologischen Instituts, Verfasser von mehr als zwölf Büchern. Forschungsschwerpunkt: Kriegereliten archaischer Epochen.&lt;br/&gt;&lt;br/&gt;Tomoko Fukushima&lt;br/&gt;Baccalaureat in japanischer Literatur, Showa Women’s University, Tokyo. Magister in alter Geschichte und Doktorkandidat, Universität Hawaii.</Text>
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