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reichert-verlag.de2913 03 01 04 15275 01 Reichert LGNR 2913 15 9783895009136 00 BB 01 24 cm 02 17 cm 08 788 gr DE 11 03 04 49019900 10 01 02 Literaturen im Kontext. arabisch – persisch – türkisch Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar. 01 01 38 The Andalusian Music of Morocco Al-Ala: History, Society and Text 1 A01 16 0000000418363678 25 1041345690 Carl Davila Davila, Carl Carl Davila 01 eng 00 368 03 23 mit Audio-CD 01 12 16 11 26 2.0 1569 93 1.4 AVM 93 1.4 AVLT 93 1.4 DSB 94 1.4 1HBM 93 1.4 JBC 20 Arabistik; Literaturwissenschaft; Marokko; Musik; Musikgeschichte; Musikwissenschaft; Orientalische Sprachen; Sprachwissenschaft 02 00 This book reframes the history of the Andalusian music of Morocco by highlighting the interplay of oral and literary processes in the preservation and transmission of this poetic-musical tradition across generations. Although oral communication and the social intimacy it fosters have been highly valued by participants in the tradition throughout its evolution from the elite music of Islamic Spain to its present status as Morocco’s national classical music, over the past two and a half centuries, written anthologies also have evolved as iconic representations of the tradition that function alongside the oral processes without replacing them. Davila brings a new approach to studies of the social foundations of Arabic poetic traditions by proposing a “value theory of tradition” and arguing that this “mixed orality” within the boundaries of the tradition persists because the two embody distinct but complementary sets of values.<br/> 03 00 In this book, Carl Davila has reshaped the historical narrative concerning al-Ala, the Andalusian music of Morocco, highlighting this poetic-musical tradition’s social foundations and the interplay of oral and literary processes in its preservation and transmission across generations. Part 1 reveals the role played by informal and formal institutions in the tradition’s development, from its earliest phase as the elite courtly music of Islamic Spain, through a middle period when the tradition served as a marker of social identity amongst Andalusi migrant communities in North Africa, and into the modern era when it has achieved a much wider audience as Morocco’s national classical music. Although oral communication and the social intimacy it fosters have been highly valued by participants in the tradition throughout this evolution, over the past two and a half centuries, written anthologies also have evolved as iconic representations of the tradition that function alongside the oral processes without replacing them. Part 2 develops a “value theory of tradition” to explain this survival of oral and literary processes side-by-side within the boundaries of the tradition (a phenomenon he describes as “mixed orality”). Davila argues that they coexist because they embody distinct but complementary sets of social values. In emphasising the different social values attaching to oral and literary processes, this book brings a new approach to Andalusian music studies, and more generally makes important contributions to studies of the social foundations of Arabic poetic traditions. It is directed primarily at scholars of the North African Andalusian music traditions, and to scholars and students of classical Arabic poetry, but anthropologists and ethnomusicologists focused on North Africa will also find interesting insights, as well. 06 00 „Sein Werk ist eine gründliche Einführung, in dem musikalische, poetische und traditionelle Aspekte berücksichtigt werden. In Teil 1 behandelt der Autor die Geschichte der andalusischen Musik von ihren spanischen Wurzeln bis zur heutigen Zeit. In Teil 2 liefert er eine Theorie, nach der mündlich übermittelte und literarische Texte nebeneinander bestehen und verschiedene gesellschaftliche Funktionen haben. Im Anhang werden arabische Begriffe erklärt, die mit der andalusischen Musik zusammenhängen. Auf der CD befinden sich zwei Aufnahmen von Musikensembles aus Fez aus den Jahren 2001 und 2012.“<br/><br/>Von Liesel Schulze-Meyer<br/><br/>(In: Deutsch-Maghrebinischen Gesellschaft. Medienspiegel November 2013, S. 34.) 17 00 Literatures in Context is a peer-reviewed book series devoted to Near Eastern and North African literatures. The editors want the title of the series to be understood programmatically. They presuppose a concept of world literature that includes Near Eastern and North African literatures. What is more, they assume that literatures are in many ways marked by intertextuality, that they constitute readings of extremely diverse earlier texts, and that they are posited within a field of tensions, much broader than their respective national language. For the earlier eras of Near Eastern and North African literatures, this field of tensions geographically covers the regions of the Southern and Eastern Mediterranean and Asia Minor. In modern times, it has become a space of interaction that has long since included “global” Western literatures (and realities). This does not imply that the modern Near Eastern and North African literatures have severed themselves from their predecessors. Instead it is precisely the tension between different sets of references in modern Near Eastern and North African literatures, or their “local historical context”, which is a great part of their attraction, that remains a crucial field of research for the modern scholar. Diese Reihe stellt innovative Arbeiten zu den nahöstlichen Literaturen in ihren verschiedenen Epochen und Gattungen vor. Sie versteht sich nicht ausschließlich als ein Forum für Orientwissenschaftler, sondern möchte auch Komparatisten, Literaturwissenschaftlern und einer interessierten Öffentlichkeit Einblicke in das breite Spektrum gegenwärtig produzierter und rezipierter Literatur des Nahen Ostens bieten. <br/>Denn die Herausgeberinnen, Autorinnen und Autoren wollen den Titel der Reihe programmatisch verstanden wissen. Sie gehen von einem Begriff der Weltliteratur aus, der die orientalischen Literaturen nicht nur statisch einbegreift, sondern sie in ein Kulturregionen und Nationalsprachen übergreifendes Spannungsfeld stellt, dessen Dynamik erst im interdisziplinären Austausch erfasst werden kann. Sie gehen ferner davon aus, dass Literaturen in vielfacher Weise intertextuell geprägt sind, dass sie Lektüren verschiedenster vorausgehender Texte darstellen und daher erst in ihrem „lokalen historischen Kontext“ ihren Reiz als Ausdruck einer regional geprägten Ästhetik entfalten können. Die Reihe versucht so, einer neuen Sensibilität für mythische, archetypische, aber auch historische Subtexte in der nahöstlichen Literatur Bahn zu brechen, sie aber gleichzeitig als wichtigen Ausdruck einer globalen kulturellen Mobilität sichtbar zu machen. 01 00 03 02 01 D502 02 800 03 567 07 100590 https://medialibrary.reichert-verlag.de/media/original/9783895009136.jpg 15 00 04 02 01 E107 06 8c761804d00d2a826eee1c9eb54f4de7 07 171373 https://medialibrary.reichert-verlag.de/media/pdf/9783895009136_sample.pdf 25 00 04 02 01 E107 06 b579020e3b4feaa906e4bf8a72d2b786 07 135827 https://medialibrary.reichert-verlag.de/media/pdf/9783895009136_toc.pdf 41 00 04 02 01 E107 06 121165fc1f557590ad726e29b9c6ee80 07 84177 https://medialibrary.reichert-verlag.de/media/pdf/9783895009136_preface.pdf Reichert Verlag 01 04 15275 06 4399901869295 23 DE161050927 25 1065107307 Dr. Ludwig Reichert Verlag Inhaberin Ursula Reichert 01 https://reichert-verlag.de 02 https://reichert-verlag.de/9783895009136_the_andalusian_music_of_morocco-detail/ 03 https://medialibrary.reichert-verlag.de Wiesbaden DE 10 04 15275 06 4399901869295 23 DE161050927 25 1065107307 Dr. Ludwig Reichert Verlag Inhaberin Ursula Reichert Ursula Reichert +496119465911 info@reichert-verlag.de Tauernstraße 11 Wiesbaden 65199 DE 04 01 20130812 11 2013 27 15 9783752005547 00 23 DE146124076 Brockhaus Kommissionsgeschäft GmbH 01 https://www.brocom.de 20 02 02 89.00 01 R 7.00 EUR DE 02 02 91.50 01 R 10.00 EUR AT 02 02 133.50 USD US