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            <TitleText>Ausgrabungen in Alt-Paphos auf Cypern</TitleText>
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          <TitleText>Nordost-Tor und persische Belagerungsrampe in Alt-Paphos</TitleText>
          <Subtitle>IV. Skulpturen, Votivmonumente und Bauteile in der Belagerungsrampe</Subtitle>
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        <SubjectHeadingText>Altertumswissenschaften; Alt-Paphos; Antike; Archäologie; Architektur; Geschichte; Heiligtümer und heilige Bezirke; Kulturgeschichte; Skulptur; Zypern</SubjectHeadingText>
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        <Text language="eng" textformat="05">For the history and archaeology of the city of Palaipaphos (Old Paphos) on Cyprus, the Persian siege ramp at the Northeast Gate on the Marcello plateau is of immense interest. Since the ramp was heaped up in the context of a military siege dated to shortly after 500 BC, it forms a unique chronological reference point for Archaic Cyprus. Built into the ramp were fragments of a deliberately-destroyed sanctuary, together with its votive offerings. This volume presents the unusual assemblage in its entirety for the first time and examines its archaeological and art-historical significance. &lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Für die Geschichte und Archäologie der Stadt Alt-Paphos auf Cypern ist die persische Belagerungsrampe beim Nordost-Tor auf dem Marchellos-Plateau von höchstem Interesse. Da die Rampe im Zusammenhang mit einem kurz nach 500 v. Chr. zu datierenden Belagerungskrieg aufgeschüttet wurde, bildet sie einen im archaischen Cypern einzigartigen chronologischen Referenzpunkt. In die Rampe verbaut waren Trümmer eines mutwillig zerstörten Heiligtums mit seinen Votivgaben. Der Band legt dieses ungewöhnliche Fundensemble erstmals in seiner Gesamtheit vor und beleuchtet dessen archäologische und kunsthistorische Bedeutung.&lt;br/&gt;</Text>
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        <Text language="eng" textformat="05">For the history and archaeology of the city of Palaipaphos (Old Paphos) on Cyprus, seat of the kings of Paphos and famous for its large sanctuary of Aphrodite, the Persian siege ramp at the Northeast Gate on the Marcello plateau is of immense interest. Here, in a dominant position above the city, the monumental gate and a section of the defensive walls, with a tower and a dry ditch, form a key point in the ancient defences of the city. Fire debris, weapon finds and a mighty siege ramp bear witness to a war which took place shortly after 500 BC. In the heaped-up rubble of the ramp, fragments came to light of a sanctuary which had been deliberately destroyed to build the ramp and which must have stood outside the city. The original location and ground plan of the sanctuary can no longer be traced, but it has been possible to determine the nature of its architecture and some of the interior furnishings. This unusual assemblage, for which a terminus ante quem is provided by the siege, includes some of the finest Archaic sculptures found on Cyprus, along with votive stelai, small altars, blocks bearing inscriptions, stone implements, and architectural elements, including large palm capitals, moulded cornices and blind windows with balustrades. It is thought that the sanctuary was dedicated to a powerful tutelary god and to Aphrodite, goddess of Paphos. Its situation, close to the monumental Northeast Gate, its sculptural ornamentation, and the choice of pictorial motifs for the votive offerings not only indicate the high status of this cult site but show that it was closely connected with the king of Paphos and the city’s elite. Notable amongst the statuary are male figures wearing royal insignia and robes which were probably reserved for religious ceremonies. These include a particularly striking bearded head which is interpreted as a ceremonial portrait of one of the priest-kings of Paphos. His crown and hair style combine elements of Egyptian and Assyrian/Persian symbols of rulership. &lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Für die Geschichte und Archäologie der Stadt Alt-Paphos auf Cypern, Sitz der paphischen Könige und berühmt für das grosse Aphrodite-Heiligtum, ist die persische Belagerungsrampe beim Nordost-Tor auf dem Marchellos-Plateau von höchstem Interesse. Hier, in dominanter Position über der Stadt, bilden das monumentale Tor, ein Teil der Wehrmauern mit Turm und ein Trockengraben einen Schlüsselpunkt der antiken Stadtbefestigung. Brandreste, Waffenfunde und eine mächtige Belagerungsrampe zeugen von einem Krieg, der kurz nach 500 v. Chr. stattgefunden hat. In der Rampenaufschüttung kamen Trümmer eines zum Bau der Rampe mutwillig abgebrochenen Heiligtums zutage, das ausserhalb der Stadt gestanden haben muss. Ursprüngliche Lage und Grundriss der Kultstätte lassen sich nicht mehr bestimmen, doch ist es gelungen, den baulichen Charakter und Teile der Innenausstattung zu erfassen. Zum ungewöhnlichen Fundkomplex, dessen spätestmögliches Datum durch die Belagerung gegeben ist, gehören einige der qualitätvollsten auf Cypern gefundenen archaischen Skulpturen, ausserdem Votivstelen, kleine Altäre, Inschriftblöcke, Steingeräte und Bauteile, darunter grosse Palmkapitelle, profilierte Gesimse und Scheinfenster mit Balustrade. Der Standort des vermutlich einem mächtigen Schutzgott und der paphischen Aphrodite geweihten Heiligtums in der Nähe des monumentalen Nordost-Tores, seine Bauornamentik und die Wahl der Bildmotive für die Weihgaben machen deutlich, dass die Kultstätte einen hohen Rang und zudem eine enge Verbindung zum paphischen König und der Elite hatte. Bemerkenswert sind männliche Statuen mit königlichen Insignien und Gewändern, die wahrscheinlich nur im Kult getragen wurden, darunter besonders herausragend ein bärtiger Kopf, der als zeremonielles Porträt eines Priesterkönigs von Paphos gedeutet wird. Seine Krone und Haartracht vereinen Elemente ägyptischer und assyrisch-persischer Herrschaftssymbolik.&lt;br/&gt;</Text>
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        <Text language="eng" textformat="05">Danielle LEIBUNDGUT WIELAND studied Classical Archaeology, Ancient History and Musicology at the Universities of Zurich and Munich and obtained her doctorate at Zurich. Her main areas of research include Ancient Cyprus and Sicily. She is the author of various publications, including one in the ALT-PAPHOS series on the votive offerings from the sanctuary of Aphrodite (co-authored with L. Frey-Asche). She is currently director of the editorial office of the Swiss journal for classical art and archaeology, ANTIKE KUNST. Veronica TATTON-BROWN († 2012) studied at Oxford. In her dissertation she investigated Cypriot iconography and sculpture, focusing particularly on the two Cypriot sarcophagi from Amathus and Golgoi in the Cesnola Collection at the Metropolitan Museum. She continued her intensive research into Cypriot archaeology whilst working as Curator of the ancient Cypriot collections of the British Museum and published a series of pioneering works on the subject. In addition, she made a name for herself as an expert on antique glass.&lt;br/&gt;</Text>
        <Text language="ger" textformat="05">Danielle LEIBUNDGUT WIELAND hat Klassische Archäologie, Alte Geschichte und Musikwissenschaften in Zürich und München studiert und in Zürich promoviert. Zu ihren Forschungsschwerpunkten zählen das antike Cypern und Sizilien. Sie ist Autorin verschiedener Publikationen, unter anderem in der ALT-PAPHOS-Reihe zu den Weihgeschenken aus dem Aphrodite-Heiligtum (mit Co-Autorin L. Frey-Asche). Derzeit leitet sie die Redaktion der Schweizer Zeitschrift für Klassische Archäologie ANTIKE KUNST. Veronica TATTON-BROWN († 2012) studierte in Oxford. In ihrer Dissertation beschäftigte sie sich mit cyprischer Ikonographie und Skulptur, ausgehend von den beiden im Metropolitan Museum aufbewahrten Cesnola-Sarkophagen aus Amathus und Golgoi. Ihre intensiven Forschungen zur cyprischen Archäologie führte sie während ihrer Tätigkeit als Curator of the ancient Cypriot collections des Britischen Museums fort und verfasste dazu eine Reihe von wegweisenden Publikationen. Gleichzeitig machte sie sich als Expertin für antikes Glas einen Namen.&lt;br/&gt;</Text>
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