The theme of the conference proceedings is the question, whether in the 14th century in one of the Catalan kingdoms there has been a first European ceremony or whether it is a hybrid of law book and rules of the court. Thus, the leges palatinae give an insight into the living conditions and the inner structures of the society at court, whereby the illustration of the rich text characterises the manuscript as an important European contemporary document.
The leges palatinae, which is discussed in the conference proceedings, is a first-rate illuminated manuscript. Its roots and traditions are still unknown, so that the allocation of the texts and miniatures as well as the richly adorned initials has seemed difficult if not impossible so far. This publication is the first to take steps to come closer to the meaning of the manuscript. To proceed from the assumption that it could be a law book, we now pose the question of why the king would have the book designed in the manner of court rules. The sumptuous manuscript shows similarities to future ceremony books – among others – which for their part were not only to regulate life on court itself but also held concrete instructions. The characteristic style of the texts and illustrations clearly indicates that it was not only about the ‘what’ but more strongly about the ‘how’. The agency of the nobles on the rich royal court is therefore reminiscent of a sociogram of how to treat each other at court, what you were allowed to do and what you were not – but, above all, actions were accurately characterised.
In this way, we not only gain a good impression of the organisation of the royal court and the manner of how the king knew to bind the nobles. What is more, the interpretation of text and image unfold the ideal of society at court in the 14th century and the following period, as the aftermaths of the leges palatinae are also a subject of discussion.
Whether these ties, whose ends have been those actions and regulations we know from reports about the court of King Louis XIV of France, have been passed-on legal norms or take-overs from Byzantine ceremony, is to be considered as well as their visualisation – in the historical context of earlier similar manuscripts, of course. The fact that a ruler, some years prior to his fall from power and his death, carries a manuscript on the run, which he gave the (French) king when requesting help against the Aragonese cousin, seems to be historically unique. It emphasises once more the importance of the Catalan manuscript that was to become the basis of Burgundian ceremony and whose provenance has recently been proved by Ulrike Bauer-Eberhardt.
„[V]oilà un livre très utile qui vient relancer l’intéret pour le somptueux codex bruxellois des Leges Palatinae.“
Von: B. Van den Abeele
In: Scriptorium 2015/LXIX/1
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Ein Vergleich der figurativen Darstellung der Königsgestalt wischen den unter Alsons X. von Kastilien entstandenen Cantigas de Santa María und den Leges Palatinae (Francoise Lainé,
S. 191-204), spanische Conclusiones (Klaus Herbers, S. 205-212) sowie eine kurze Nachbetrachtung zur künstlerischen Heimat der Leges (Ulrike Bauer-Eberhardt, S. 213-215) schließen einen Ergebnisband ab, der nicht nur durch seine thematische Geschlossenheit, sondern auch durch sein gediegenes Bildmaterial (neben zahlreichen Abbildungen im Text noch 16 farbenprächtige Tafeln als Anhang) besticht und für die weitere Erforschung der Leges Palatinae, aber auch der mittelmeerischen Kultur hinfort unentbehrlich sein wird.
Ludwig Vones
In: Deutsches Archiv Bd. 72-2 (2016)
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„Un ricco apparato iconografico a colori completa questo bel volume fornendo chiavi di lettura essenziali per un soggetto che ha nella dimensione delle immagini una componente imprescindibile.“
In: Archivo Storico Italiano, 2015, S. 167-168.
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„Dank des Buches verfügen wir nun über wichtige Bausteine für eine bessere Kontextualisierung der „Leges Palatinae“. [...] In dem Buch finden sich auch verschiedene, ja divergierende Interpretationen der Natur der „Leges Palatinae“. [...] Es handelt sich also um ein reiches, polyphones, aber letztlich nicht unproblematisches
Buch. Die Fragestellung ist hochrelevant; manche Analysen vermögen sofort zu
überzeugen, und die Zusammenführung verschiedener, ja gegensätzlicher Interpretationen
ist lobenswert. [...] Zusammenfassend lässt sich daher sagen, dass „Utilidady decoro“ eine hilfreiche, begrüßenswerte und mit einem üppigen Bilddossier illustrierte Etappe in der Annäherung an die „Leges Palatinae“ darstellt, aber gleichzeitig auch ein Anreiz, diese noch weiter zu erforschen, um eines Tages zu einer kohärenteren Interpretation dieses vielschichtigen Textes zu gelangen.
Von: Stéphane Péquignot
In: Zeitschrift für Historische Forschung 2/2016, S. 362-364
Professor Gisela Drossbach
obtained her doctorate in 1993 with a thesis about the clergy Konrad von Megenberg from Regensburg and habilitated with a thesis about the Roman hospital of Santo Spirito in Sassia and its illuminated rules of the order. Further stages in her research are Medieval and Early Modern statutes and the genesis of pontifical decretal law. She teaches Bavarian and Swabian regional history/Middle Ages at University Augsburg.
Professor Gottfried Kerscher
obtained his doctorate in 1985, did research in Florence, Rome, Avignon, Barcelona, and on the Balearic Islands. His book about Late Medieval palace building in France, Spain, and Italy, from the year 2000, exposed him to the prime of Majorcan palace architecture and the ceremony taking place inside. He teaches art history of the Middle Ages at University Trier.
The new publication series entitled “Trierer Beiträge zu den historischen Kulturwissenschaften” (Trier Papers in Historical Cultural Studies) aims at being a forum for papers in the area of Cultural Studies, which focus on historical and interdisciplinary research. In addition to essay collections and conference proceedings, the series also covers monographic studies as well as exhibition catalogues.
The editor of the book series is the Executive Board of the “Historisch-Kulturwissenschaftliche Forschungszentrum” (HKFZ) Trier (Trier Historical Cultural Research Centre) at Trier University. The Research Centre is financed in line with the research initiative of Rhineland-Palatinate. The HKFZ’s current research topic is called “Räume des Wissens – Orte, Ordnungen, Oszillationen” (“Spaces of Knowledge – Places, Orders, Oscillations”). In collaboration with national and international partners, groups of linked projects work on this topic at Trier University.
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